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[主观题]

He ____________ folk music,but now he prefers country music.(use)他过去习惯听民间音乐,但是

He ____________ folk music,but now he prefers country music.(use)

他过去习惯听民间音乐,但是现在他更喜欢乡村音乐。

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更多“He ____________ folk music,but now he prefers country music.(use)他过去习惯听民间音乐,但是”相关的问题

第1题

In the United States the most popular form. of folk dancing since the early days has been
square dancing. In early times, when men and women worked in groups to【21】a barn(谷仓) for harvest crops, they danced when the work was done. The music【22】from a violin for the most part. But if there was no one to play an instrument(乐器), clapping(击掌) was used to【23】the rhythm(节奏) by which to dance. The early settlers(移民) danced in a store, in a barn, or in a farm kitchen.

After some years【24】, square dancing became【25】popular in cities and towns, but it【26】popular in the country. Then it became popular in the cities once again. Today in【27】parts of the United States you will find some school, club, or other group that is square dancing for fun.

A square is formed by four couples(对,双) who stand【28】the center of the square. Each couple stands on one【29】of the square, the boy on the left and the girl on the right.

The "caller" is an important part of the【30】 since he tells the dancers which steps to do. If the dancers do not know the steps, he teaches them. It【31】 time to learn to be good caller, and good callers are always in demand.

Large or small groups of people can dance at one time. Sometimes 800 or 1,000 people may be dancing at the【32】 time. Or there may be only one square of【33】 people.

Costumes(服装) are worn by some who square dance. This【34】 the dancing more colorful to watch. The costumes vary(不同) from place to place. Women often wear full skirts of various colors with pretty blouse(罩衫). Men may have colored skirts and western trousers which they wear【35】 when square dancing.

(66)

A.make

B.set up

C.build

D.form

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第2题

Animals are friends of human beings, so the languages of all nations contain a lot of
words about animals. Certain words for animals do carry similar denotative and connotative meanings in both languages. In English, for instance, “dove” is often related to “peace”, and in Chinese we have a similar term “和平鸽”. Another example is that “fox” and “狐狸” both imply the quality of “being sly”, as is obvious in the idioms of “as sly as a fox” and “像狐狸一样狡猾”.

However, there are many words with the same denotative meanings but different connotative meanings. For instance, “bat” is an evil animal in European folk legends. The English idioms like “as blind as a bat” and “as crazy as a bat” give explanation by themselves. But many Chinese people believe that “bat” is the symbol of good luck, health and happiness. This is mainly because in “蝙蝠” “蝠” is pronounced the same with “福” (good fortune) in “幸福” (happiness) and “洪福” (limitless blessing).

Still, there are many other words whose denotative and connotative meanings are both different in English and Chinese. For example, in the western world, “dragon” is a fire-spitting mythical animal, signifying violence, as in “He is a bit of dragon here.” By contrast, most Chinese people regard “龙” (Long) as a symbol of dignity and power, as in the idiom “望子成龙” (hold high hopes for one’s child).

1. Some English words about animals carry both denotative and connotative meanings.()

A.True

B.False

2. Many words from Chinese and English are the same in both the denotational meanings and connotational meanings, such as “fox” and “狐狸”.()

A.True

B.False

3. The Chinese word “蝙蝠” carries the same connotative meanings with the English word “bat”.()

A.True

B.False

4. The Chinese word “龙” carries the same denotative meaning with the English word “dragon”.()

A.True

B.False

5.“He is a bit of dragon here.” The equivalent Chinese version of this sentence is: 他在这一带为非作歹。()

A.True

B.False

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第3题

完成下列各题 In the United,States the most popular form. of folk dancing since the earl
y days has been square dancing.In early times,when men and women worked in groups to 21________ a barn(谷仓)for harvest crops,they danced when the work was done.The music 22________ from a violin for the most part.But if there was no one to play all instrument(乐器),clapping(击掌)was used to 23________ the rhythm(节奏)by which to dance.The early settlers(移民>danced in a store,in a barn,or in a farm kitchen. After some years 24 ________,square dancing became 25 ________ popular in cities and towns,but it 26________ popular in the country.Then it became popular in the cities once again·Today in 27 ________ Darts of the United States you will find some school,club,or other group that is square dancing for fl in. A square is formed by four.couples(对,双)who stand 28 ________the center of the square. Each couple stands on one 29________ 0f the square,the boy on the left and the girl on the right. The“caller”is an important part of the 30________ since he tells the dancers which steps to do. If the dancers do not know the steps,he teaches them.It 31________ time to learn to be a good caller,and good callers are always in demand. Large or small groups of people can dance at one time.Sometimes 800 or 1,000 people may be dancing at the 32 ________time.Or there may be only one square of 33________ people. Costumes(服装)are worn by some who square dance.This 34________ the dancing more colorful to watch.The costumes vary(不同)from place to place.Women often wear full skirts of various colors with pretty blouse(罩衫).Men may have colored skirts and western trousers which they wear35________ when square dancing.

A.make

B.set up

C.build

D.form

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第4题

The author mentions that published music is not considered to be folk music becauseA.the o

The author mentions that published music is not considered to be folk music because

A.the original composer can be easily identified

B.the songs attract only the young people in a community

C.the songs are generally performed by professional singers

D.the composers write the music in rural communities

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第5题

Raju and His Father's Shop My mother told me a story every evening while we waited for fat

Raju and His Father's Shop

My mother told me a story every evening while we waited for father to close the shop and come home. The shop remained open till midnight. Bullock-carts in long caravans arrived late in the evening from distant villages, loaded with coconut, rice, and other commodities for the market. The animals were unyoked under the big tamarind tree for the night, and the cartmen drifted in twos and threes to the shop, for a chat or to ask for things to eat or smoke. How my father loved to discuss with them the price of grain, rainfall, harvest, and the state of irrigation channels. Or they talked about old litigations. One heard repeated references to magistrates, affidavits, witnesses in the case, and appeals, punctuated with roars of laughter—possibly the memory of some absurd legality or loophole tickled them.

My father ignored food and sleep when he had company. My mother sent me out several times to see if he could be. made to turn in. He was a man of uncertain temper and one could not really guess how he would react to interruptions, and so my mother coached me to go up, watch his mood, and gently remind him of food and home. I stood under the shop-awning, coughing and clearing my throat, hoping to catch his eye. But the talk was all-absorbing and he would not glance in my direction, and I got absorbed in their talk, although I did not understand a word of it.

After a while my mother's voice came gently on the night air, calling, "Raju, Raju," and my father interrupted his activities to look at me and say, "Tell your mother not to wait for me. Tell her to place a handful of rice and buttermilk in a bowl, with just, one piece of lime pickle, and keep it in the oven for me. I'll come in later." It was almost a formula with him five days in a week. He always added, "Not that I'm really hungry tonight." And then I believe he went on to discuss health problems with his cronies.

But I didn't stop to hear further. I made a quick dash back home. There was a dark patch between the light from the shop and the dim lantern shedding its light on our threshold, a matter of about the yards, I suppose, but the passage through it gave me a cold sweat. I expected wild animals and supernatural creatures to emerge and grab mc. My mother waited on the doorstep to receive me and said, "Not hungry, I suppose! That'll give him an excuse to talk to the village folk all night, and then come in for an hour's sleep and get up with the crowing of that foolish cock somewhere. He will spoil his health."

I followed her into the kitchen. She placed my plate and hers side by side on the floor, drew the rice-pot within reach, and served me and herself simultaneously, and we finished our dinner by the sooty tin lamp, stuck on a nail in the wall. She unrolled a mat for me in the front room, and I lay down to sleep. She sat at my side, awaiting father's return. Her presence gave me a feeling of inexplicable coziness. I felt I ought to put her proximity to good use, and complained, "Something is bothering my hair," and she ran her fingers through my hair, and scratched the nape of my neck. And then I commanded, "A story."

Immediately she began, "Once upon a time there was a man called Devaka..." I heard his name mentioned almost every night. He was a hero, saint, or something of the kind. I never learned fully what he did or why, sleep overcoming me before my mother was through even the preamble.

Which of the following was NOT what we can infer from the conversation between Father and the cartmen?

A.Sometimes during lawsuits, one side or the other tricked the law, probably by finding faults in the legal code which were favorable to themselves.

B.There were times when the courts came to foolish decisions.

C.Matters related to fanning were of great interest to them.

D.The magistrates were ludicrous.

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第6题

Chinese Buddhist Music Catches Audience in HK 中华佛教音乐吸引香港听众The Hong Kong Cultur

Chinese Buddhist Music Catches Audience in HK

中华佛教音乐吸引香港听众

The Hong Kong Cultural Center in Victoria Bay was packed on Thursday night, and loud applause periodically echoed through the neon lit sky. It was not rock music nor was it pop—it was traditional Chinese Buddhist music that made an instant hit in the modern metropolis.

Hong Kong is the fourth leg of the Buddhist music performance tour by a troupe consisting of more than 130 monks from the Chinese mainland and Taiwan. And this is also the first time monks from across the Taiwan Strait had jointly set up a troupe to perform, on global stages.

Crowds of Hong King residents were lining up at the local port waiting to welcome members of the troupe who were sailing in from Macao, where they had just ended another successful performance on Wednesday night.

The monks returned the enthusiasm of the residents with a powerful performance. Almost without sleep, the monks drove to the concert hall preparing the stage and doing the rehearsals.

Buddhist music, which originated from ancient India, found its way into China some 2,000 years ago, and after absorbing elements of traditional Chinese folk music, court music and other religious music, a unique form. which is now called Chinese Buddhist music came into being.

The monks of the troupe come from prestigious Buddhist temples including Fo Guang Shah Temple in Taiwan, Shaolin Temple in central Henan Province, Labrang Temple in northwestern Gansu Province, and General Temple in southwestern Yunnan Province, representing the three branches of Buddhism in China, namely Chinese Buddhism, Tibetan Buddhism and Pali Buddhism.

The wind sweeping across the Victoria Bay was cool, but the atmosphere in the concert hall was hot. The audience was mesmerized by the great variety of genres of Chinese Buddhist music.

"It's great to see so many genres of Chinese Buddhist music performed on the same stage," said a female bank employee surnamed Chang, "It's so fascinating," she said.

Calling it a happy event in Hong Kong, the Venerable Kwok Kuang, president of the Hong Kong Buddhist Association, said that the concert served as a prelude to the display, in Hong Kong on May 26, of a relic from Famen Temple preserved in Xi'an, capital of northwest China's Shaanxi Province.

He said that Buddhism and Buddhist music in the Chinese mainland, Taiwan and Hong Kong had the same roots, and through the performance by monks from across the Taiwan Strait, the traditional religious art would be further developed and bring more happiness to the Chinese.

Co-sponsored by the Chinese Buddhism Association of China and Fo Guang Shan Temple in Taiwan, the troupe was formed in February this year and has since staged four successful performances in Taiwan and Macao, and will move on to Los Angeles and San Francisco in the US and Vancouver of Canada from Friday.

Hailing the joint performance as a major event in the history of Buddhism, Hsin Ting, deputy chief of the troupe and abbot of Fo Guang Shan, said that both the monks and the support staff had been working together very harmoniously ever since the formation of the troupe, indicating their inherited strong ties.

"I hope the troupe's tour to North America will help the world community better understand Chinese traditional culture, especially the harmonious relationships among the people across the Taiwan Strait," he said.

How was the Chinese Buddhist music troupe received in Hong Kong?

A.It was welcomed like any other rock or pop music bands.

B.It was not as welcome as rock or pop music bands.

C.It was so welcome that it would visit Hong Kong for the fourth time.

D.It caused a great sensation among the local people.

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第7题

Cultures tend to favor either a past, or future orientation with regard to time. A future
orientation, encompassing a preference for change, is characteristic of American culture. The society encourages people to look to the future rather than to the past. Technological, social, and artistic trends change rapidly and affect people's life styles and their relationships.

Given the inclination toward change, it is not surprising that tradition plays a limited role in the American culture. Those who try to uphold traditional pattern of living or thought may be seen as rigid or "old-fashioned". In a society where change is so rapid, it is not uncommon for every generation to experience a "generation gap". Sometimes parents struggle to understand the values of their children, even religious institutions have had to adapt to contemporary need of their followers. Folk singers in church services, women religious leaders, slang versions of the Bible, all reflect attempts made by traditional institutions to "keep up with the times".

High rates of change, particularly in urban areas, have contributed to a focus on the future rather than the past or present. Some Americans believe that the benefits of the future orientation are achievement and progress which enable them to have a high standard of living. Others believe that high blood pressure and stomach ulcers are the results of such a life style.

As individuals in a culture, we all have an intuitive understanding about how time is regulated, usually we do not think about the concept of time until we interact with others who have a different time orientation. Although individuals from any now cultures may view time similarly, we often sense that in another culture, life seems to proceed at either a slower or faster pace. Knowing how time is regulated, divided, and perceived can provide valuable insights into individuals and their culture.

The American orientation toward the future might be demonstrated by ______.

A.the presence of religious institutions

B.the preference for "old-fashioned" parents

C.the limited role of tradition

D.the presence of folk singers in church services

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第8题

根据以下内容回答题:Economists believe that job earnings influence choice of occupation.The

根据以下内容回答题:

Economists believe that job earnings influence choice of occupation.They acknowledge that people place varying emphasis(1)income,but point out that workers tend to move from one occuDation to another(2)changes in salaries.In 1931,H.F.Clark,an economist,stated that“proper information regarding wages if sufficiently(3)upon people,will lead to correct choice of occupation and correct(4)of people in an occupation,provided barriers to occuDations have been removed.”This means that the supply and demand of.workers have(5)to do with wages,(6)in turn influence people to choose certain careers.However,all barriers to occupations will have to be removed(7)career choices can be(8)by eco-nomics alone.There is little question(9)economic factors have some influence on choice ofan occuDation.But to picture them as the major or most important reason(10)against the soundest of folk wisdom:“Man does not live by bread alone.”

1.

A.in

B.on

C.into

D.for

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第9题

Do you know what the word "jazz" means?Today it is used to talk about variou
Do you know what the word "jazz" means?Today it is used to talk about various styles of music.In the early 1900s,however,jazz was a kind of folk music played by African Americans.This early jazz was played by people in their daily lives simply for their own enjoyment.Indeed,whenever people got together,jazz could be heard.

Jazz was a mix of styles from Europe and Africa.From Europe,the first jazz musicians borrowed ideas about melody and harmony,and the instruments they used.From Africa,they borrowed ideas about rhythm.Jazz rhythm was very strong it made people want to clap their hands or tap their feet.African rhythm had a different beat from most of other music.For example,instead of One-two-Three-four,the beat might be one-Two-three-Four.It was this rhythm that made jazz sound different.There was no other kind of music like it in the United States at that time.

Today,jazz has become a way for many people to express themselves musically.It is also a way for many people to make a lot of money by performing.The audience for jazz is international.Many of the world's biggest jazz festivals now take place in Europe and Asia.Fans pay a lot of money to see one of their favorite musicians in concert or buy one of their recordings.It can certainly be said that jazz has influenced almost every other kind of music in the United States and Europe and produced some of the world's greatest musicians,composers and singers.

16.In the early 1900s,jazz music was ________.

A.used to refer to various styles of music

B.enjoyed by people all over the world

C.enjoyed in everyday life

D.played only at special events

17.The first jazz musicians ________.

A.borrowed European ideas of harmony

B.played music without strong beats

C.invented a new style. of folk music

D.used musical instruments from Africa

18.What made jazz different from other music was ________.

A.the beat One-two-Three-four

B.the musical instrument used to play jazz

C.the beat one-Two-three-Four

D.the jazz musicians who clapped their hands in performance

19.Which of the following statements is NOT true?

A.Jazz is not as much welcomed in Asia as in Europe.

B.Jazz is now used by many people to express their likes and dislikes.

C.A lot of people became rich through playing jazz.

D.Nowadays,jazz has become universally popular.

20.Jazz is now ________.

A.becoming too expensive for people to enjoy

B.more popular in Asia than anywhere else

C.not very important as a means of musical expression

D.one means for performers to make a lot of money

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第10题

The right combination of bricks, mortar and plaster can be mixed to build a city, but it i
s the city' s people who add that extra dimension which makes it vibrant, memorable, famous and much-visited. London is such a city, and a major exhibition about its people makes this point by pulling together paintings, drawing and prints by artists over the centuries to show Londoners from all walks of life and in all manners of setting. The capital' s renowned old markets, most now gone, like Covent Garden and Billingsgate, captured the eye of painters because of the extraordinarily disparate range of characters mingling together. Processions and ceremonial events were popular subjects, although many artists were inspired by the individuals they saw: the street traders, laborers, merchants, craftsmen, society folk, servants, visiting foreigners, the very poor, the old, and the criminals. There is a book which accompanies the show and from which In Britain has chosen its illustrations. Londoners is published Thames and Hudson, 30-34 Bloomsbury street, London WC1B 3QP. Telephone 01- 636 5488. It has 237 illustrations, 20 in color: £20 in hardback, £9.95 paperback. Available post-free direct form. the publishers to addresses overseas, or form. bookshops in the UK.

The exhibition continues until August 2 at the Museum of London. Open Tuesday to Saturday,

According to the advertisements, the element which adds the real color to a city is ______.

A.the city itself

B.its inhabitants

C.the buildings

D.the markets

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