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[主观题]

Just as music is a universal language,______.A.so it is a mirror of the timeB.as a mirror

Just as music is a universal language,______.

A.so it is a mirror of the time

B.as a mirror of the time

C.it is also a mirror of the time

D.so is a mirror of the time

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更多“Just as music is a universal language,______.A.so it is a mirror of the timeB.as a mirror”相关的问题

第1题

Just as too much harmony is tiresome in music ______. ()A.the life of too many benefits a

Just as too much harmony is tiresome in music ______. ()

A.the life of too many benefits annoys us

B.so, in life, too many benefits annoy us

C.we are annoyed with lives also of too many benefits

D.much benefits annoy us in life

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第2题

Tom: You are playing guitar well. Can you read music?Charles: No, I don't. I just listen t
o songs on the radio and then play them until they sound right.Tom: ______Charles: No, really.A.You're lyingB.You're cheatingC.You are boastingD.You're kidding

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第3题

划线字母是u()

A.lunch

B.music

C.sunny

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第4题

Tom: You are playing guitar well. Can you read music?Charles: No, I don’t. I just listen t

Tom: You are playing guitar well. Can you read music?

Charles: No, I don’t. I just listen to songs on the radio and then play them until they sound right.

Tom: _____

Charles: No, really.

A. You’re lying.

B. You’re kidding.

C. You are boasting.

D. You’re cheating.

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第5题

从下列选项中选出字母"u"发音与其他两个不同的单词()

A.lunch

B.music

C.number

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第6题

Material culture refers to the touchable, material "things"—physical objects that can be s
een, held, fell, used — that a culture produces. Examining a culture's tools and technology can tell us about the group's history and way of life. Similarly, research into the material culture of music: can help us to understand the music culture. The most vivid body of "things" in it, of course, are musical instruments. We cannot bear for ourselves the actual sound of any musical performance before the 1870s when phonograph was invented, so we rely on instruments for important information about music-cultures in the remote past and their develop ment. Here we have two kinds of evidence: instruments well preserved and instruments pictured in art. Through the study of instruments, as well as paintings, written documents, and so on, we can explore the movement of music from the Near East to China over a thousand years ago, or we can outline the spread of Near Eastern influence to Europe that resulted in the development of most of the instruments in the symphony orchestra.

Sheet music or printed music, too, is material culture. Scholars once defined folk music-cultures as those in which people learn and sing music by ear rather than from print, but research shows mutusl influence

among oral and written sources during the past few centuries in Europe, Britain, and America. Printed versions limit variety because they tend to standardize any song, yet they stimulate people to create new and different songs. Besides, the ability to read music notation has a far-reaching effect on musicians and, when it becomes widespread, on the music cul Lure as a whole.

One more important part of music's material culture should be singled out: the influence of the electronic media—radio, record player, tape recorder, television, and videocassette, with the future promising talking and singing computers and other developments. This is all part of the "information revolution", a twentieth-century phenomenon as important as the industrial revolution was in the nineteenth. These electronic media are not just limited to modern nations; the)' have affected music cultures all over the globe.

Research into the material culture of a nation is of great importance bucause ______.

A.it helps produce new cultural tools and technology

B.it can reflect the development of the nation

C.it helps understand the nation's past and present

D.it can demonstrate the nations civilization

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第7题

You might think that the topic of “taking the bus” is a weird one to choose for this b
log. And you might be right but taking the bus in Latin America is always a fascinating experience. In the UK, bus journeys are just boring and, more often than not, a necessity. Public transport is often convenient when you live or work in the city centre, as you can avoid traffic jams by whizzing down the bus lanes, and do not have to pay to park the car. At the end of the day, though, taking the bus is just a necessary and tedious part of life: you board the bus, pay the driver and sit down (or find a place to stand). Very boring. In Latin America, however, bus trips can be very lively. For a start, intercity buses put on films so that you have entertainment for at least some of the journey. Naturally local transport does not show films but drivers usually switch on the radio and that can be a great way to hear new songs and new styles of music. (Disappointingly there is not much salsa music back home). Even better than films or music are the sights and sounds on the buses. Local buses always go to parts of town that you would not otherwise visit. There you see shops that you never knew existed. Visitors travelling on buses can see new aspects of a culture from the window seat of the bus. Passengers’ “luggage” is also interesting. It is not uncommon for a cheerful dog’s head to be poking out of somebody’s bag and for someone else to carry a chicken under their arm. Once on a bus in Peru, a farmer tied what looked like a dead sheep to the roof. I was quite shocked and even more so when the farmer got off the bus and, on taking the sheep off the roof, it trotted off very happily. On top of the same bus, another passenger had put his chainsaw. The sheep and power tool combination had me very nervous. There are really many things for visitors to do in Latin America. Taking the bus doesn’t sound like fun but it is much more exciting and unpredictable than any UK bus journey.

(1)In the UK, taking the bus is fascinating.

(2)In Latin America, when taking the bus, you can listen to music and see new aspects of a culture.

(3)Public transport in the UK is convenient because a variety of means of public transportation are available.

(4)As for bus trips in Latin America, passengers’ luggage can be interesting.

(5)Bus journeys are unpredictable in Latin America.

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第8题

Museums are places where collections of objects are preserved and displayed. The objects may be anyt
hing found in nature or made by man. There are museums devoted to art, science, history, industry, and technology. But museums are no longer just storehouses for collections. Today nearly all museums, large or small, carry on educational programs. Museums offer guided tours, lectures, films, music recitals (独唱的), art lessons, and other attractions.

Museums work constantly to improve their collections and ways of displaying them. All museums are always on the watch for new additions to their collections. Works of art are bought from art dealers and private collectors or at auction (拍卖) sales. Museums also accept gifts and bequests (遗物), but the large museums no longer accept everything that is offered to them. They accept only objects or collections that meet their high standards.

What is to be gained from visiting museums? Museum exhibits can teach us about the world in which we live--the materials it is made of, the trees and plants that cover it, and the animals that have lived on it since its beginning. We can learn about the activities of man--his history and development and his accomplishments in arts and crafts.

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第9题

今天一位顾客来到店内,他表示昨天刚刚在这里购买了一台 iPad Pro,里面什么软件都没有,问店员能不能拷贝一些音乐给他。请问店员应该如何回应并妥善处理这位顾客的需求()

A.告知顾客不可以,店内的音乐是有版权保护的,推荐他通过 Apple Music 下载音乐

B.告知顾客店内电脑的音乐受版权保护,推荐顾客使用第三方助手软件下载音乐

C.告知顾客可以拷贝,用数据线就可以传音乐进手机

D.告知顾客可以拷贝到他的 U 盘上,让顾客自己往手机上拷贝

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第10题

Chinese Buddhist Music Catches Audience in HK 中华佛教音乐吸引香港听众The Hong Kong Cultur

Chinese Buddhist Music Catches Audience in HK

中华佛教音乐吸引香港听众

The Hong Kong Cultural Center in Victoria Bay was packed on Thursday night, and loud applause periodically echoed through the neon lit sky. It was not rock music nor was it pop—it was traditional Chinese Buddhist music that made an instant hit in the modern metropolis.

Hong Kong is the fourth leg of the Buddhist music performance tour by a troupe consisting of more than 130 monks from the Chinese mainland and Taiwan. And this is also the first time monks from across the Taiwan Strait had jointly set up a troupe to perform, on global stages.

Crowds of Hong King residents were lining up at the local port waiting to welcome members of the troupe who were sailing in from Macao, where they had just ended another successful performance on Wednesday night.

The monks returned the enthusiasm of the residents with a powerful performance. Almost without sleep, the monks drove to the concert hall preparing the stage and doing the rehearsals.

Buddhist music, which originated from ancient India, found its way into China some 2,000 years ago, and after absorbing elements of traditional Chinese folk music, court music and other religious music, a unique form. which is now called Chinese Buddhist music came into being.

The monks of the troupe come from prestigious Buddhist temples including Fo Guang Shah Temple in Taiwan, Shaolin Temple in central Henan Province, Labrang Temple in northwestern Gansu Province, and General Temple in southwestern Yunnan Province, representing the three branches of Buddhism in China, namely Chinese Buddhism, Tibetan Buddhism and Pali Buddhism.

The wind sweeping across the Victoria Bay was cool, but the atmosphere in the concert hall was hot. The audience was mesmerized by the great variety of genres of Chinese Buddhist music.

"It's great to see so many genres of Chinese Buddhist music performed on the same stage," said a female bank employee surnamed Chang, "It's so fascinating," she said.

Calling it a happy event in Hong Kong, the Venerable Kwok Kuang, president of the Hong Kong Buddhist Association, said that the concert served as a prelude to the display, in Hong Kong on May 26, of a relic from Famen Temple preserved in Xi'an, capital of northwest China's Shaanxi Province.

He said that Buddhism and Buddhist music in the Chinese mainland, Taiwan and Hong Kong had the same roots, and through the performance by monks from across the Taiwan Strait, the traditional religious art would be further developed and bring more happiness to the Chinese.

Co-sponsored by the Chinese Buddhism Association of China and Fo Guang Shan Temple in Taiwan, the troupe was formed in February this year and has since staged four successful performances in Taiwan and Macao, and will move on to Los Angeles and San Francisco in the US and Vancouver of Canada from Friday.

Hailing the joint performance as a major event in the history of Buddhism, Hsin Ting, deputy chief of the troupe and abbot of Fo Guang Shan, said that both the monks and the support staff had been working together very harmoniously ever since the formation of the troupe, indicating their inherited strong ties.

"I hope the troupe's tour to North America will help the world community better understand Chinese traditional culture, especially the harmonious relationships among the people across the Taiwan Strait," he said.

How was the Chinese Buddhist music troupe received in Hong Kong?

A.It was welcomed like any other rock or pop music bands.

B.It was not as welcome as rock or pop music bands.

C.It was so welcome that it would visit Hong Kong for the fourth time.

D.It caused a great sensation among the local people.

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